orestespining:

i just want a television show where a male character says “you’re not like other girls” and the female character is like “what the fuck is wrong with other girls”

1dneedtobeinme:

skoloton:

can’t believe one direction killed one of their own to become more powerful

what did u expect 

1dneedtobeinme:

skoloton:

can’t believe one direction killed one of their own to become more powerful

what did u expect 

best-of-funny:

thelivingjen:

bluntbitch-xo:

terra-butt:

I WAS TRYING TO DO A TRICK ON MY FRIEND DARRELL BUT THEN I ENDED UP NEARLY CRYING I FEEL SO SHITTY LOOK HOW NICE HE IS.

this is so sad omg


keep himkeep your friend forever

X

superwherelock:

☼ Hufflepuff Common Room

“It was round, earthy and low-ceilinged; it always felt sunny, and its circular windows had a view of rippling grass and dandelions. There was a lot of burnished copper about the place, and many plants, which either hang from the ceiling or sat on the windowsills. The overstuffed sofas and chairs were upholstered in yellow and black, and the dormitories were reached through round doors in the walls of the common room. Copper lamps cast a warm light over the four-poster beds, which were covered in patchwork quilts, and small copper bed warmers hung on the walls, in case of cold feet.”

vardaesque:

unsuccessfulmetalbenders:

the-sun-and-sea-and-you:

laughingsquid:

Angry Young Woman Uses Her ‘Telekinetic Powers’ in a NYC Cafe

holy damn

PEOPLE IN THIS WORLD ARE GETTING TOO DAMN CREATIVE AND I AM NOT OKAY WITH IT IF ANYBODY EVER TRIED TO PULL THIS SHIT WITH ME IT WOULD BE THE LAST THING THEY EVER DID I AM NOT HERE FOR THIS JEAN GREY NONSENSE

i have never seen anyone nope as hard as those people noped

“So Steven wanted to show Captain Nicholls’ death without you seeing him die, you don’t see him get shot. But he said, ‘Tom, this is the only piece of slow-motion in the film, because actually I don’t think slow-motion is very effective as a dramatic tool – sometimes it hits but you have to use it sparingly. It’s going to be completely silent and I want to see you see the guns and then I’m going to cut back to the guns and then I’m going to cut back to Joey and you’re not going to be there. And the camera’s going to move across your face but I don’t want you to do shock or surprise or fear or terror. How old are you?’

And I said, ‘I’m 29.’ He said, ‘Okay, so at the top of the shot, give me your War Face, the face that you’ve been doing all day, you’re winning, you’re triumphant, you’re a noble officer and it’s all going well. And then I’m going to say “Guns” and when you hear me say “Guns”, the camera will zoom in and I want you to de-age yourself by twenty years, so you’re 29 and then you’re nine. I just want to strip away the man and see the boy. Can I leave that with you?’ And I thought that was one of the most heartbreaking pieces of direction I’d ever received – it was just so emotionally acute. In the middle of this great, grand, epic action sequence, with 120 horses going 40 miles an hour, he had the space, in his filmmaking head and in his heart for something very intimate and I thought it was amazingly impressive.”

"GirL>. likes. the SMITHes??//? unbelivble. i cant beliveE it. i am in love. u r girl w / fringe Bangs and u liek MORRISSEY AND THE SMITHS. u have a modclothe dresss and u liek the smiths. this has never. EVER happened b4 in the world history. i love u. i love ur teeth"
500 Days of Summer (2009)